Walker Percy Wednesday – 30

So thoroughly in fact did he identify with his group companions of the moment, so adept did he become at role-taking, as the social scientists call it, that he all but disappeared into the group. As everyone knows, New York is noted for the number and variety of the groups with which one might associate, so that even a normal person sometimes feels dislocated. As a consequence this young man, dislocated to began with, hardly knew who he was from one day to the next. There were times when he took roles so successfully that he left off being who he was and became someone else.

So well did he adapt that it always came as a surprise when two groups who got along with him did not get along with each other. For example, he had fallen in with an interracial group which met at a writer’s apartment in the Village on Friday nights. It did not strike him as in the least anomalous that on Saturday night he met with the Siberian Gentlemen, a nostalgic supper club of expatriate Southerners, mostly lawyers and brokers, who gathered at the Carlyle and spoke of going back to Charleston or Mobile. At two or three o’clock in the morning somebody would sigh and say, “You can’t go home again,” and everybody would go back to his Park Avenue apartment. One night he made the mistake of bringing a friend from the first group to the second, a Southerner like himself but a crude sort who had not yet mastered group skills and did not know the difference between cursing the governor of Virginia, who was a gentleman, and cursing the governor of Alabama, who was not.

Grammar Of Assent/Loss and Gain

Newman’s classic An Essay In Aid Of A Grammar Of Assent is unlikely to have been read by mainstream epistemologists — much to their shame. GoA is freely available on Project Gutenberg as is his philosophical novel Loss and Gain: The Sory of a Convert. 

The Killer

Let me tell ya something about Jerry Lee Lewis, ladies and gentlemen: I am a rock and rollin’, country-and-western, rhythm and blues-singin’ motherfucker.

Given the bombast, his private life and his showmanship, it’s no surprise that Jerry Lee has had such appeal to the likes of Jimmy Page, Keef and a whole roster of A list rockers as per Last Man Standing. It’s quite amazing that he’s scheduled to appear at Jazzfest this year. This is possibly the Killer’s most important gig since the piano Yalta Fats & Friends. In light of a recent cancellation, let’s hope he makes it:

To all my fans…my bad back just gave out on me again and my doctor has ordered me to rest it before I can travel. I will make up this show as soon as I am able. — The Killer

I’m looking forward to reading his recent biography. A terrific documentary on Jerry is available here in full — feel the love and respect. Every guest here is the best they can be and not merely going through the motions — all the songs standing the test of time:

Here is another good documentary:

G.K. Chesterton: A Most Unlikely Saint

This in The Atlantic (H/T to Shannon Selin)

If you’ve got only 10 minutes, read his essay “A Much Repeated Repetition.” (“Of a mechanical thing we have a full knowledge. Of a living thing we have a divine ignorance.”)

Why should it want to make him a saint? Why Chesterton and not—if you’re talking about great Catholic writers—Gerard Manley Hopkins? Or Walker Percy? Or Flannery O’Connor?

 

Literary Louisiana

A travel article (who in N.O. talks of “the Big Easy”?)

. . . and realized, once again, that there’s no better place to find Walker Percy than inside the pages of his many dazzling novels, which I’d fallen in love with years ago.

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Philosophy of markets

The very excellent Lisa Herzog interviewed here. H/T to Eric Schliesser.

The cliché is that Smith is a “negative liberty” guy and Hegel a “positive liberty” guy. In fact, both have very nuanced accounts of how different dimensions of freedom are realized in a modern society; the freedom to do what you want with your property – which is sometimes called economic freedom – is only one of them. For example, for Smith the market is also a school of autonomy, because it teaches individuals to become self-reliant and to take their own decisions about their lives; this may seem naive from today’s perspective, but it was written in a time when many people’s lives were predetermined by customs and traditions, and markets indeed had some liberating potential. What I find very interesting is that Smith and Hegel do not try to reduce freedom to one basic notion; rather, they acknowledge its various dimensions, and ask about the ways in which these can find a place in the institutions of a modern society. I find this very convincing as a way of thinking about freedom.

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The Dead’s Terrapin Station

Speaking of Jerry . . .

Yes, I know that traditional Dead Heads are divided by this song. But so far as I can tell it really is in keeping with the Dead’s eclectic open-mindedness about not only music but artistic endeavor in general. I mean Jerry’s guitar at about 12:14 is a fantastic blend of jazz, rock, and going into gospely-operatic-monkish-cult chant as things unfold into the symphonic. The lyrics seem as they might fall apart each verse and then they are reined in again. The song is DEEPLY philosophical/religious without ever being ham-fisted . . . a rarity.

Lyrics by Robert Hunter. The song annotated here.

Hold away despair, more than this I will not ask.
Faced with mysteries dark and vast, statements just seem vain at last.
Some rise, some fall, some climb, to get to terrapin.