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Walker Percy Wednesday 149

Five modes of recreation might be deduced from the semiotic which follows upon the placement of an autonomous unspeakable self in its world. The recreational modes of the autonomous self are understandable in terms of the semiotic options open to it, that is, those transactions with its world, itself, and other selves which are specified…

Walker Percy Wednesday 148

One thing of value is his setting aside the “sensuous-erotic” as a category to be examined in its own right, a category which not only is not to be dismissed as simply sinful but which can in fact produce works of the highest genius, in Kierkegaard’s term, “the musical-erotic genius” of Don Giovanni. Thus, we…

Walker Percy Wednesday 147

Carl Sagan is right in ridiculing the absurd pseudosciences now so popular. He is admirable in his defense of science as a reliable and self-correcting method of attaining truth. Yet the fact is that nowadays there is no piece of nonsense that will not be believed by some and no guru or radio preacher, however…

Walker Percy Wednesday 146

Question: Why does it make scientists uneasy that it appears to be the case that Homo sapiens, a conscious languaged creature, appeared suddenly and lately—when scientists profess to be interested in what is the case, that is, the evidence? (a) Because scientists are understandably repelled by the theory of the special creation of man by…

Walker Percy Wednesday 145

WHY DO SCIENTISTS DISLIKE what is apparently the case, that Homo sapiens appeared very recently and very suddenly, in a few hundred thousand years more or less of the Late Pleistocene, perhaps even less—in a word, in less time, cosmologically speaking, than it takes to tell the Biblical story of creation; that the peculiar characteristics…

David Bowie: Transience and Potentiality

This is one of the better and more interesting academic pieces I’ve come across on Bowie: I suspect there is a cottage industry in the making (I’m currently reading this). In another journal of psychology (I won’t mention the name) a writer offers up the crassest of virtue-signaling tendencies by linking Bowie’s character Thomas Jerome…

Walker Percy Wednesday 144 (Or Why Writers Drink)

Why Writers Drink He is marooned in his cortex. Therefore it is his cortex he must assault. Worse, actually. He, his self, is marooned in his left cortex, locus of consciousness according to Eccles. Yet his work, if he is any good, comes from listening to his right brain, locus of the unconscious knowledge of…