Born on this date. It’s worth giving a listen to this curated bunch of podcasts presented under the auspices of the BBC’s “Composer of the Week” series. As the one and only Bernard Williams wrote: “You can have a well-formed, deep relation to Western music while passing Wagner’s works by, finding them boring or not to your taste. But it is clear, equally, that a passionate engagement with these works is not a mistake or a misunderstanding. They are amazing, and there is much to engage with. It is no accident not only that Wagner is voluminously discussed but that immense efforts, expenditure, and imagination are still devoted to producing these pieces”. Unlike Williams however, don’t expect a nuanced view emanating from the monomaniacal-rationalist-authoritarian-professional-grievance-mongering-censorious-cleric (i.e. Taleb’s “The Intellectual Yet Idiot”) — beyond reflexively squawking “Naziiiiiiiiiii!!!” and deeming Wagner persona non grata. I’ve never made it to Bayreuth but a philosopher chum of mine, after being a member of the Wagner Society for nigh on 35 years, has finally secured tickets this summer. I’m very much looking forward to his reporting back.
Victoria Day
Bernard Lewis has died
Check out his prescient warning published in Commentary.

John Stuart Mill
Born on this day. See Christopher Macleod’s overview in the SEP. Most (if not all) of Mill’s writings freely available here.

Jazz funeral
It was the Jazz funeral opening scene in Live and Let Die that so captivated me, a kid living a world away — the dirge, the sashay, the exuberance — a love affair that has never dimmed. Thus I’m very pleased to learn about this crowd-funded work-in-progress City of a Million Dreams (H/T OffBeat). I’d imagine that if you supported Tradition is a Temple you’d want to support this effort: one Walter Isaacson has endorsed this project.

Using, not misusing, your brain organ
EPISTEME: Volume 15 – Issue 2 – June 2018
The Temple of the Golden Pavilion
Mishima’s classic published in English (translated by Ivan Morris) on this date in 1959. See Donald Keene’s original review “Beauty Itself Became a Deadly Enemy” in the NYT.









