Measuring the Evolution of Contemporary Western Popular Music

This study from a few years back confirms what genuine music lovers already know to be the general trend in the homogenization of music. Full report in Scientific Reports 2, Article number: 521 (2012). Check out Thoughty2’s popular and rightfully scathing overview below. It was reassuring though to see some under 35s at a recent Pokey LaFarge show, Pokey himself a young guy. All the more reason why the musical milieu that is New Orleans must continue to stand as a bulwark against homogenization whatever the genre of music you are into.

Do U Want It?

Yes I do. This for funky Friday. As a dyed-in-the-wool funkster I’m hoping to be able catch this funkumentary about the Maple Leaf staple Papa Grows Funk.

With no play lists and no rehearsals every Papa Grows Funk performance is its own masterpiece of funk.

Enactivist Interventions: Rethinking the Mind

Coming soon from Shaun Gallagher.

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Walker Percy Wednesday 150

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What if then even the erotic becomes devalued? What if it happens, as Paul Ricoeur put it, that, “at the same time that sexuality becomes insignificant, it becomes more imperative as a response to the disappointments experienced in other sectors of human life”?
What then? Does the self simply diminish, subside into apathy like laboratory animals deprived of sensory stimulation? Or does the demoniac spirit of the self, frustrated by the failure of Eros, turn in the end to the cold fury of Saturn?

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Don’t you believe in love?
Yes, but the word has been polluted. Beware of people who go around talking about loving and caring.

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World War II: Betty Grable, Anne Frank, Adolf Eichmann, Stalin; the subsidence of the erotic in favor of a rise in the dispassionate, abstract violence of ideology, Fascism, Nazism, Communism; war increasingly in the hands of technicians; the decency of Truman and Oppenheimer contrasted with the death of 100,000 women and children in Hiroshima and Nagasaki; Arendt’s banality of evil = the growing disparity between the monstrous violence of technology and the smallness of the technician-perpetrators; World War II as a transition period between the decline of the Christian era and the rise of the age of technology; 50,000,000 dead.

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Then how do you account for the fact that with the appearance of man there also appeared for the first time in the Cosmos, as far as we know, language, mind, self, and consciousness, and almost immediately thereafter a train of disasters and triumphs which seem to have very little to do with adapting to an environment—such as organized warfare against himself, composing Don Giovanni, Charlie Manson, John Keats, suicide, joy, madness, murder, heroism, modern medicine, child abuse, loving care for the genetically malformed—and in recent years the appearance of the demoniac spirit of the erotic and the violent expressing itself in every conceivable variety of florid sexual behavior which has nothing to do with reproduction or survival of the species, and that with the very rise of science there has occurred the spectacular rise in technological violence, so that more men have been killed in this century than in all others put together—and that finally there should have come to pass the present state of affairs which surpass all belief, not merely that this very “matter” you speak of, which Democritus and Darwin and even Dalton and Boyle saw as peaceable little miniballs of atoms colliding and joining, is in fact possessed of an energy of such an order that one-quarter teaspoon will destroy Greater New York, but that this very secret and this very matter—and here the mind reels—should find itself in the hands of this selfsame demoniac autonomous self, itself a creature of science?

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Booker T Jones

A lifelong ambition to see Booker T live came to fruition this past weekend. This was no master lazily going through the “greatest hits” motions but a whistle-sharp musical genius taking us on the amazing Stax journey and surrounded with younger extremely talented musicians and vocalists doing justice to foundational songs — Knock on Wood and Dock of the Bay — to name but two. Dispensing with Green Onions about mid-set, was a testament to just how deep and expansive Booker’s work is. Booker’s power and finesse showed off the many glorious tunes that Booker T had a hand in. It’s amazing that Booker’s son Ted has not being playing guitar for that long — he was quite amazing. Can’t wait to see Booker T again this coming winter: one of my funk-soul triumvirate, the others being Curtis Mayfield and Bobby Womack. Booker’s show offset my disappointment in not being able to see Ennio Morricone’s final shows. Praise doesn’t get any higher than this.

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Explaining Postmodernism

The very excellent Stephen Hicks whom I had the pleasure of meeting earlier this year has made his book freely available online.

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