Somehow I missed this recent book but not this announcement. Any conference with the participation of David Runia is a big deal. (Still working on a joint review of Maren Niehoff’s book who is also participating).
Chicago’s Musical Memory
On a recent visit to Chicago I didn’t get the sense that Chicago memorializes their native (or adoptive) musical sons very diligently. This article confirms this impression: worth following the links in this article. This recently released collection by Rhino commemorates Curtis Mayfield’s 50 years as a solo artist and this year marks 20 years since Mayfield’s death. Aside from a chance hearing of the Superfly soundtrack being piped onto the Virgin Hotel’s sidewalk and a large Muddy Waters mural there is not even a plague marking Chess Studios at 2120 South Michigan Ave. (Even J&M Recording Studio was designated as a historic landmark in New Orleans). Georg Solti, however, is the exception, and is well remembered. And how could I have overlooked Lou Rawls — THE voice — and The Staple Singers.
‘You Are My Witnesses’: Walker Percy, Jacques Maritain and the Jews
Julien Smith in Religion & Literature Vol. 45, No. 1 (spring 2013), pp. 55-79. I’m pleased to have come across this paper since I have for several years been muling over Percy’s invocation of the Jews.
From his first novel The Moviegoer to his last novel The Thanatos Syndrome the fiction of Catholic novelist Walker Percy manifests a sustained preoccupation with the significance of the Jews. Stephen R. Haynes has correctly observed that for Percy, Jews are not merely an incidental element in the cultural landscape of the American South but rather possess profound theological significance within the author’s narrative world. However, Haynes misreads Percy when he regards him as an unwitting exemplar of Christian contempt for Jews. Rather, Percy’s portrayal of Jews is better understood as having been influenced by the French philosopher and man of letters Jacques Maritain, who was similarly concerned to understand the theological significance of the Jews from the perspective of the Christian metanarrative. To make this case I will present Haynes’s critique of Percy as an exemplar of what he calls “witness-people” thinking; provide an overview of Maritain’s developing understanding of Jews; and demonstrate that not only does Percy’s fiction betray an indebtedness to the perspective of Maritain but that both men are beholden to the biblical identification of Israel as God’s covenant people rather than to the Christian invention of the witness-people myth.
The Poor Lady Immured: Notes on Public Philosophy
The very excellent Eugene Heath in Metaphilosophy.
Philosophy should not be immured within the confines of the university but should step confidently into the communal spaces of society. Philosophy should include, in other words, public philosophy. What, however, is public philosophy? And is it an unalloyed good? These questions are the subject of this essay.
Speaking of public philosophy, happy 89th birthday to Bryan Magee, public philosopher par excellence! Here is a write-up on Bryan from 2003 in The Guardian.
Whatever It Turns Out To Be: Oakeshott on Aesthetic Experience
Focusing his analysis on the lengthy “Voice of Poetry” essay, Abel provides a robust defense of Oakeshott’s nonrepresentational and nonpractical conception of art. Critics who suggest that Oakeshott goes too far in severing art from truth and morality fail to grasp that Oakeshott’s fundamental philosophical concern is to identify the differentia of aesthetic experience vis-à-vis other forms of experience. One of the most important dif- ferentiating features of aesthetic experience, according to Oakeshott as Abel interprets him, is its timelessness, its denial of historicity; here Oakeshott parts ways with the historicism of thinkers such as Gadamer and Ricoeur. Another important differentiating feature of aesthetic experience is its playful character versus the unavoidably worklike character of practical experience.
The digital world, cognition and behaviour
Herbert Simon Society call for papers. For a comprehensive overview of Simon’s work by a Who’s Who of writers, check out this collection of essays.
Michael Oakeshott on Authority, Governance, and the State
Due to be published this August.
- Introduction/Eric S. Kos
- The State is the Attempt to Strip Metaphor out of Politics/James Alexander
- The Problem of Liberal Political Legitimacy/David D. Corey
- Oakeshott on the State: Between History and Philosophy/Gary Browning
- Taking Natural Law Seriously within the Liberal Tradition/Timothy Fuller
- The Authority of the State and the Traditional Realm of Freedom/Carlos Marques de Almeida
- Anarchic and Antinomian? Oakeshott and the Cambridge School on History, Philosophy, and Authority/Jordan Rudinsky
- Michael Oakeshott’s Political Realism /Gulsen Seven
- Government as a British Conservative Understands It: Comments on Oakeshott’s Views on Government/Ferenc Hörcher
- Global Governance and the “Clandestine Revolution”: From the Legal State to the Judicial State/Agostino Carrino
- Three Different Critiques of Rationalism: Friedrich Hayek, James Scott and Michael Oakeshott/Shekhar Singh
C+T Vancouver: Programme
The Problem of Meaning in AI and Robotics: Still with Us after All These Years
The always interesting Tom Froese in this just published co-authored open access essay.
The Religious Sensibility of Michael Oakeshott
The theme of the unremitting nature of practical life also appears in Elizabeth Corey’s essay “The Religious Sensibility of Michael Oakeshott.” Drawing on Oakeshott’s two essays on the Tower of Babel to flesh out his critique of the perfectionism and obsession with achievement that vitiate modern life, Corey shows how Oakeshott conceived of religion as a corrective to these spiritual maladies. She does not conceal that Oakeshott’s conception of religion, which stresses living in the present, unburdened by anxiety for worldly success or achievement, is not exactly orthodox; nevertheless, she insists that Oakeshott’s work is full of authentic religious insight. Corey is particularly attracted to Oakeshott’s assimilation of the religious disposition to the poetic disposition. Both dispositions eschew the frenetic quest for worldly achievement and opt instead for delight in the present, and both offer a temporary respite from the tyranny of practice.
manwithoutqualities 