Walker Percy Wednesday 86

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Ewell McBee, he reflected as he lay prone under the Rolls, was another example of the demented and farcical times we live in. Did the growing madness have something to do with the Jews pulling out? Who said we could get along without the Jews? Watch the Jews, their mysterious comings and goings and stayings! The Jews are a sign! When the Jews pull out, the Gentiles begin to act like the crazy Jutes and Celts and Angles and redneck Saxons they are. They go back to the woods. Here we are, retired from the cities and living deep in the Southern forests and growing nuttier by the hour. The Jews are gone, the blacks are leaving, and where are we? deep in the woods, socking little balls around the mountains, rattling ice in Tanqueray, riding $35,000 German cars, watching Billy Graham and the Steelers and M*A*S*H on 45-inch Jap TV.

*****

There were those who had plans, whose eyes and movements were aimed toward a future, and those who did not. Some youngish people, that is, between twenty and thirty-five, sat on the sidewalk in silence. Though they sat or lay in relaxed positions, time did not seem to pass easily for them. They looked as if they had gone to great lengths to deal with the problem of time and had not succeeded. They were waiting. What were they waiting for?

*****

They had plans and the plans took up their time.

*****

What she feared was a breakdown in the rules of ordinary living which other people observed automatically. What if the rules broke down? Suddenly she remembered that she had once been an A student. But what if she flunked ordinary living?

*****

Why was the discovery so difficult? Because it is the very nature of the thing to be discovered and the very nature of the seeking that it could not be found by asking somebody or by reading a book. Imagine being born with gold-tinted corneas and undertaking a lifelong search for gold. You’d never find it.

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The Complete Prose of T. S. Eliot: The Critical Edition

The very excellent Ronald Schuchard discusses the genesis of this important and large project. Of course Valerie Eliot was vital to the realization of this task as he explains in the video. Some months ago I posted this amusing squib from VE and was reminded of one of my favorite Eliot quotes:

All our knowledge brings us nearer to our ignorance

Though this unfashionable insight is hardly original (“Immature poets imitate; mature poets steal”) it is an unusual formulation, reflecting the distinctive quality of TSE’s mind. TSE understood, as do a few others such as Percy, that it is the zeitgeist of the modern age that we exist in a linear trajectory of progress, progress here taken to be coextensive with improvement – morally, socially, technologically, economically and scientifically. Epistemic humility is not something valued as an epistemological virtue, a methodological approach valuable in itself — and this oversight unfortunately informs much of our socio-cultural polarization.

For more about Valerie here are some obituaries: The Guardian — The Telegraph — The New York Times — Independent. 

I Am the Blues

I’m very much looking forward to seeing this documentary featuring Bobby Rush, Barbara Lynn, Henry Gray, Carol Fran, Little Freddie King, Lazy Lester, Bilbo Walker, Jimmy “Duck” Holmes, RL Boyce, LC Ulmer, and Lil’ Buck Sinegal. (click image for details). H/T the wonderful Holger Peterson.

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Why Concepts Creep to the Left

She asked for my love
and I gave her a dangerous mind
Now she’s stupid in the street
and she can’t socialise

— Scary Monsters (and Super Creeps)

One really has to be skeptical of the extensional and intensional adequacy of the concepts under discussion (this over and above the standard political labels of mutual reproach). Since the regressive Left now has a dearth of causes to meet the bloated managerial apparatus that’s in place (thought police have self-justificatory quotas to be met), they succumb to concept creep thereby rendering concepts at best meaningless, at worse obscure: i.e. Newspeak and associated thought control, shallow and cynical virtue signaling, products of intellectually dishonest grotesque photofit-like minds.

Psychological Inquiry: An International Journal for the Advancement of Psychological Theory Volume 27, Issue 1, 2016, pp. 40-45 (freely available).

Last year I cowrote an essay with Greg Lukianoff titled “The Coddling of the American Mind” (Lukianoff & Haidt, 2015). Lukianoff and I analyzed several new concepts that have been spreading rapidly around the academy—but almost nowhere else in American society. The two most colorful are “Trigger warnings” (warnings given to students before professors assign readings that might reactivate painful memories in survivors of trauma) and “microaggressions” (words, questions, or even facial expressions that have the effect—often unintended—of making another person feel marginalized, different, or excluded). A search for these terms on Google Trends shows that they were barely mentioned before 2012 but have been rising rapidly in popularity since late 2013.

These terms are part of a new conceptual package that includes all of the older concepts long referred to as “political correctness” but with greatly expanded notions of harm, trauma, mental illness, vulnerability, and harassment. These concepts seem to have expanded in just the way that Nick Haslam (this issue) describes—horizontally, to take in new kinds of cases (such as adding the reading of novels to the list of traumatizing activities), and vertically, to take in ever less extreme versions of older cases (as is made explicit by the prefix “micro” in the word “microaggression”). In this conceptually augmented political correctness, the central idea seems to be that many college students are so fragile that institutions and right-thinking people must all work together to protect vulnerable individuals from exposure to words and ideas that could damage them in a lasting way. If this protection requires banning certain speakers from campus, or punishing student newspapers that publish opinions that upset the dominant campus sensibility, then so be it.

But the reactions to the “Coddling” article—in essays, blog posts, and commentary on the original post—has revealed a large generational gap. As far as I can tell, the vast majority of Americans older than 40, including progressives, and including progressive professors, dislike the illiberal tendencies of the new political correctness. They do not share the view that college students must be shielded from words, books, and visiting speakers. These older progressives value freedom of speech to such an extent that they oppose efforts to shut down student newspapers or shout down professors or visiting speakers. President Obama himself recently spoke out against “coddling” and in favor of vigorous cross-partisan debate on campus (see quotes in Haidt, 2015). There has been hardly any published criticism of the “Coddling” article, but what little pushback there has been has come almost exclusively from current college students and from humanities professors younger than 35 (e.g., Manne, 2015).

Why is this? Why has this new and expansive sense of student fragility spread so rapidly, but only among millennials who are currently living or working on college campuses? Lukianoff and I tried to explain the recent spread of trigger warnings and microaggression theory by examining broad historical trends, such as increases in protective parenting that began in the 1980s, and we examined more recent changes in federal laws that pressured universities to overpolice language use on campus. But Haslam’s explanation of concept creep provides a large and crucial missing piece of the story. In this article I expand upon a point that Haslam (this issue) raised only briefly at the end of his target article: Concept creep has happened primarily to concepts related to a left-liberal moral agenda. As he noted on p. 14: The concept creep phenomenon broadens moral concern in a way that aligns with a liberal social agenda by defining new kinds of experience as harmful and new classes of people as harmed, and it identifies these people as needful of care and protection.

I position concept creep within the recent historical trend of rising political polarization, particularly “affective partisan polarization,” which refers to the increasing hostility felt by partisans toward people on the other side. I tell this story in three graphs. Together, the trends in these graphs can explain why concepts of trauma and victimhood have undergone such rapid expansion on university campuses and among psychologists. In brief, the loss of political diversity in many universities—and in psychology in particular—at a time of rising cross-partisan hostility has amplified the already powerful process of motivated reasoning. Concepts are morphing to become ever more useful to “intuitive prosecutors” (Tetlock, 2002), who are prosecuting their enemies in the culture war.

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Bounded Rationality in the Digital Age

The fifteenth in a series of excerpts from Minds, Models and Milieux: Commemorating the Centennial of the Birth of Herbert Simon.

Peter E. Earl

One of the great tragedies in economics in the decades since Simon received the 1978 Alfred Nobel Memorial Prize in Economic Sciences is that the uptake of his ideas within the discipline has been either poor or in a partial manner that does not properly capture his vision (as with mainstream models purporting to address bounded rationality). In this chapter I begin by trying to make sense of this situation and then argue that the digital revolution is making it more imperative than ever that economists take up Simon’s key ideas – not merely his satisficing view of choice in the face of bounded rationality but also his thinking on artificial intelligence and the evolutionary roles of altruism and system design. The modern economy is undergoing supply side upheavals at the heart of which lie the issues of programmability and modularity. On the demand side, buyers now have to contend with choice problems of extraordinary complexity, whose solutions increasingly rely on social inputs.

A recurrent theme in what follows is that, in the digital age, Simon’s (1991, pp. 306–7) Travel Theorem takes on a wider significance. He set out the Theorem with reference to what one can hope to learn about something in a good public library, as opposed to making a journey to study it at first-hand for a short period (for example, as a tourist or business consultant). His contention was that if information is all one hopes to obtain, being there is far less efficient that trying to gather it remotely. Hence, if journeys are actually undertaken, they are/should be for reasons other than the gathering of information. In the world of the Internet, the webcam, smartphones, Skype, virtual reality experiences, and so on, Simon’s Travel Theorem provides a powerful starting point for asking questions about motivation and economic organisation.

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Beauty Itself Became a Deadly Enemy

The very excellent Mishima scholar Donald Keene briefly discusses the English publication of The Temple of the Golden Pavilion almost exactly 57 years ago.

What transforms this world is — knowledge. Do you see what I mean? Nothing else can change anything in this world. Knowledge alone is capable of transforming the world, while at the same time leaving it exactly as it is. When you look at the world with knowledge, you realize that things are unchangeable and at the same time are constantly being transformed.

Walker Percy Wednesday 85

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Surely, though, all is not well with a man who falls down in the fairway, and finds himself overtaken by unaccountable memories, memories of extraordinary power and poignancy. But memories of what?

*****

He smiled. Yes, that was it. With two mirrors it is possible to see oneself briefly as a man among men rather than a self sucking everything into itself—just as you can see the back of your head in a clothier’s triple mirror.

*****

Yes, that is possible, he thought smiling, that is one way to cure the great suck of self, but then I wouldn’t find out, would I? Find out what? Find out why things have come to such a pass and a man so sucked down into himself that it takes a gunshot to knock him out of the suck—or a glimpse in a double mirror. And I wouldn’t find out about the Jews, why they came here in the first place and why they are leaving. Are the Jews a sign?

*****

At any rate, within the space of the next three minutes there occurred two extraordinary events which, better than ten thousand words, will reveal both Barrett’s peculiar state of mind and the peculiar times we live in.

First, as he sat in the Mercedes, Luger in hand, gazing at the cat nodding in the sunlight, there came to him with the force of a revelation the breakthrough he had been waiting for, the sudden vivid inkling of what had gone wrong, not just with himself but, as he saw it, with the whole modern age.

*****

Later he remembered thinking even as he dove for cover: Was not the shot expected after all? Is this not in fact the very nature of the times, a kind of penultimate quiet, a minatory ordinariness of midafternoon, a concealed dread and expectation which, only after the shot is fired, we knew had been there all along?

Are we afraid quiet afternoons will be interrupted by gunfire? Or do we hope they will?

Was there ever a truly uneventful time, years of long afternoons when nothing happened and people were glad of it?

But first his “revelation.” As he sat gazing at the cat, he saw all at once what had gone wrong, wrong with people, with him, not with the cat—saw it with the same smiling certitude with which Einstein is said to have hit upon his famous theory in the act of boarding a streetcar in Zurich.

There was the cat. Sitting there in the sun with its needs satisfied, for whom one place was the same as any other place as long as it was sunny—no nonsense about old haunted patches of weeds in Mississippi or a brand-new life in a brand-new place in Carolina—the cat was exactly a hundred percent cat, no more no less. As for Will Barrett, as for people nowadays—they were never a hundred percent themselves. They occupied a place uneasily and more or less successfully. More likely they were forty-seven percent themselves or rarely, as in the case of Einstein on the streetcar, three hundred percent. All too often these days they were two percent themselves, specters who hardly occupied a place at all. How can the great suck of self ever hope to be a fat cat dozing in the sun?

There was his diagnosis, then. A person nowadays is two percent himself. And to arrive at a diagnosis is already to have anticipated the cure: how to restore the ninety-eight percent?

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Well said Daryl: “Academia? Now, there’s a hotbed of idiocy”

One of the current debates is over “cultural appropriation” – The idea that white people should not appropriate the culture of ethnic and racial minorities. I know that you don’t like the term “blue eyed soul.” Have you followed this conversation?

Are you trying to say that I don’t own the style of music that I grew up with and sing? I grew up with this music. It is not about being black or white. That is the most naïve attitude I’ve ever heard in my life. That is so far in the past, I hope, for everyone’s sake. It isn’t even an issue to discuss. The music that you listened to when you grew up is your music. It has nothing to do with “cultural appropriation.”

I agree with you entirely, because…

I’m glad that you do, because anyone who says that should shut the fuck up.

Well, this entire critique is coming back…

I’m sorry to hear it. Who is making these critiques? Who do they write for? What are their credentials to give an opinion like that? Who are they?

Much of it is academic.

Well, then they should go back to school. Academia? Now, there’s a hotbed of idiocy.

Anyone who knows about music, about culture in general, understands that everything is much more natural. Everything is a mixture.

We live in America. That’s our entire culture. Our culture is a blend. It isn’t split up into groups. Anyone who says otherwise is a fool – worse than a fool – a dangerous fool.

I also know that you don’t like the term “blue eyed soul”…

No, and it is for this very reason. There is no color to soul. Soul music comes from the heart. It was generated out of the church, and it became secular gospel.

Ray Charles made that same point. He said the only difference between gospel and soul is that in one genre he sings to God, and in another, he sings to a woman.

That’s right. That’s exactly it.

— Salon

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Monophonics: In Your Brain

Four years ago this classic album by the Monophonics was released. And they are currently on tour. Though there doesn’t seem to be much of anything of substance written on the band, this review of their latest comes closest to capturing their spirit. Now if you don’t know who the Dap-Kings are (as per quote below) you need to check out this small label that oozes with charm, class and talent (more on them in a later posting).

The Monophonics are sort of a more psychedelic west coast counterpart to the Dap-Kings, masters of all things darkly slinky and soulful.

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