Cognitive Autonomy and Methodological Individualism

Forthcoming from my chum and endorsed by none other than Barry Smith.

Robert Plant: A Life

This is really the first biography of Plant. On balance it’s decent enough but still a pedestrian effort that doesn’t really add much more to what we already know. To Paul Rees’ credit he keeps the speculative temptation that Zep always courted to a minimum. I think that a bio by the very excellent rock journalist Chris Welch would have made for a more elegant and richer account.

Though there is mention of Plant’s appreciation of New Orleans’ musical tradition what’s conspicuously missing from this account is Plant’s wonderful renditions of Fats and Dave’s (and Bobby Charles’) “It Keeps Rainin'” with Lil’ Band O’ Gold and “Valley of Tears” with The Soweto Gospel Choir.

The upshot (and this we already know) is that Plant doesn’t live in the past and relentlessly pursues musicality with the curiosity of a pilgrim and adventurer, his so-so efforts still very interesting, his successes glorious. None of his superstar contemporaries come anywhere close – at worst they are still flogging the old franchise, at best stylistic dilettantes.

What we really need is an autobiography a la Keef but as Plant says that would be premature – he’s got a long way to go yet. Of course the ultimate rock autobiography would be Jimmy Page’s but me thinks that ain’t ever going to happen. I think his recent photo-autobiography, as good as it is, is really a fudge – and who could blame him given the prevailing sanctimonious, shrill and illiberal climate we now live in.

WALKER PERCY WEDNESDAY – 34

Two things were instantly apparent to the sentient engineer, whose sole gift, after all, was the knack of divining persons and situations. One was that he had been mistaken for a member of the staff. The other was that the stranger was concerned about a patient and that he, the stranger, had spent a great deal of time in the hospital. He had the air of one long used to the corridor, and he had developed a transient, fabulous, and inexpert knowledge of one disease. It was plain too that he imputed to the hospital staff a benevolent and omniscient concern for the one patient. It amounted to a kind of happiness, as if the misfortune beyond the door must be balanced by affectionate treatment here in the corridor. In hospitals we expect strangers to love us.

Wynton on Pops

This from Wynton on the eve of my visit to Pops’ archives and house hosted by the one and only Ricky Riccardi.

Complexity and social sciences

Another recent paper from Jack Birner.

WALKER PERCY WEDNESDAY – 33

For the thousandth time Dr. Gamow looked at his patient—who sat as usual, alert and pleasant—and felt a small spasm of irritation. It was this amiability, he decided, which got on his nerves. There was a slyness about it and an opacity which put one off. It had not always been so between them. For the first year the analyst had been charmed—never had he had a more responsive patient. Never had his own theories found a readier confirmation than in the free (they seemed to be free) associations and the copious dreams which this one spread out at his feet like so many trophies. The next year or so left him pleased still but baffled. This one was a little too good to be true. At last the suspicion awoke that he, the doctor, was being entertained, royally it is true and getting paid for the privilege besides, but entertained nevertheless. Trophies they were sure enough, these dazzling wares offered every day, trophies to put him off the scent while the patient got clean away. Sourer still was the second suspicion that even the patient’s dreams and recollections, which bore out the doctor’s theories, confirmed hypotheses right and left, were somehow or other a performance too, the most exquisite of courtesies, as if the apple had fallen to the ground to please Sir Isaac Newton. Charged accordingly, the patient of course made an equally charming confession, exhibited heroic sweats and contortions to overcome his bad habits, offered crabbed and meager dreams, and so made another trophy of his disgrace.

The last year of the analysis the doctor had grown positively disgruntled. This one was a Southern belle, he decided, a good dancing partner, light on his feet and giving away nothing. He did not know how not to give away nothing. For five years they had danced, the two of them, the strangest dance in history, each attuned to the other and awaiting his pleasure, and so off they went crabwise and nowhere at all.

The doctor didn’t like his patient much, to tell the truth. They were not good friends. Although they had spent a thousand hours together in the most intimate converse, they were no more than acquaintances. Less than acquaintances. A laborer digging in a ditch would know more about his partner in a week than the doctor had learned about this patient in a year. Yet outwardly they were friendly enough.

The engineer, on the other hand, had a high opinion of his analyst and especially liked hearing him speak. Though Dr. Gamow was a native of Jackson Heights, his speech was exotic. He had a dark front tooth, turned on its axis, and he puckered his lips and pronounced his r’s almost like w’s. The engineer liked to hear him say neu-wosis, drawing out the second syllable with a musical clinical Viennese sound. Unlike most Americans, who speak as if they were sipping gruel, he chose his words like bonbons, so that his patients, whose lives were a poor meager business, received the pleasantest sense of the richness and delectability of such everyday things as words. Unlike some analysts, he did not use big words or technical words; but the small ordinary words he did use were invested with a peculiar luster. “I think you are pretty unhappy after all,” he might say, pronouncing pr?tty as it is spelled. His patient would nod gratefully. Even unhappiness is not so bad when it can be uttered so well. And in truth it did seem to the engineer, who was quick to sniff out theories and such, that people would feel better if they could lay hold of ordinary words.

At five o’clock, the Southerner’s hour, the office smelled of the accumulated misery of the day, an ozone of malcontent which stung the eyes like a Lionel train.

Ricky Riccardi: Keeping the legend of Louis alive

This article about the life and work of Ricky Riccardi was from exactly a year ago. I don’t think the term “disciple” is appropriate — it’s more the keeper of the flame and musical scholar — and as fate would have there is no better person to do it. I’ll be seeing Ricky at the archives soon as well as visiting the Louis Armstrong House Museum. And if you haven’t read his What A Wonderful World: The Magic of Louis Armstrong’s Later Years I’d highly recommend you do.

When asked, What can the music and message of Louis Armstrong add to an individual’s life?, Ricky Riccardi answers: “One word: Joy. Louis Armstrong makes people feel good and who doesn’t want to feel good? That’s what attracted me to him when I was 15 and that’s what still keeps me going all these years later: Joy.”

Conversations on Philanthropy

The latest issue of Conversations on Philanthropy dedicated to The Legacy of Richard C. Cornuelle is now available, gratis as usual but they would welcome donations in support of this excellent journal.