Since I have a predilection for “characters” . . . real or imagined.
At age 17 Humbert left home to work for a merchant in Nancy, who dismissed him for misconduct. He then worked at hat factory in Lyon and was fired for “moral depravity.”
Since I have a predilection for “characters” . . . real or imagined.
At age 17 Humbert left home to work for a merchant in Nancy, who dismissed him for misconduct. He then worked at hat factory in Lyon and was fired for “moral depravity.”
The very excellent Wayne Curtis on The Sazerac.
These are among the things New Orleans does best as it carries out its self-appointed mission to make the world more interesting.
‘The Clarke Plato’: the oldest manuscript (discounting papyrus fragments) for about half the dialogues of Plato, perhaps once the first volume of a two-volume set. Commissioned by Arethas of Patrae (bishop of Caesarea, 902-c. 939), who paid 21 gold coins for the copying and the parchment, and added scholia in the margin in a tiny uncial hand (with at least one other contemporary hand).
Check this out at the terrific Digital Bodleian.
One of my favorite artists — catch this exhibition if you can. In addition to the reviews posted on the gallery’s site, see this article in the NYRB. Ravilious reminds me of Rockwell Kent, another favorite.
The Dulwich Gallery is somewhat inconvenient to get to (I used to train it) but it’s well worth the visit to this elegant part of London.
Sutter wrote:
A w.d. and n. white male, circa 49.
Eyes, ears, nose, mouth: neg. (upper dentures).
Skin: 12 cm. contusion rt. occipital region
Pleura: Neg.
Lungs: Neg.
Pericardium: 10 cc. pink frothy fluid
Heart: infarcted anterior wall right ventricle; coronary artery: moderate narrowing, occasional plaque; recent occlusion anterior descending branch, right c.a.
Abdomen: neg. except moderate cirrhosis of L. with texture fibrous to slice; central areas of lobules visible macroscopically.
Police report: subject found rolled in room above Mamie’s on 16th St. behind old L & N depot. Traced to Jeff Davis hotel. Here from Little Rock on opticians’ convention. Traced from hotel to men’s smoker in warehouse (girl performer plus film, neither on opticians’ schedule), thence to Mamie’s, thence to room upstairs, wherein slugged or rolled; but head injury not cause of death. Mamie off hook.
Lewdness = sole concrete metaphysic of layman in age of science = sacrament of the dispossessed. Things, persons, relations emptied out, not by theory but by lay reading of theory. There remains only relation of skin to skin and hand under dress. Thus layman now believes that entire spectrum of relations between persons (e.g., a man and woman who seem to be connected by old complexus of relations, fondness, fidelity, and the like, understanding, the comic, etc.) is based on “real” substratum of genital sex. The latter is “real,” the former is not. (Cf. Whitehead’s displacement of the Real)
Scientist not himself pornographer in the practice of his science, but the price of the beauty and the elegance of the method of science = the dispossession of layman. Lewdness = climate of the anteroom of science. Pornography stands in a mutual relation to science and Christianity and is reinforced by both.
Science, which (in layman’s view) dissolves concrete things and relations, leaves intact touch of skin to skin. Relation of genital sexuality reinforced twice: once because it is touch, therefore physical, therefore “real”; again because it corresponds with theoretical (i.e., sexual) substrata of all other relations. Therefore genital sexuality = twice “real.”
Christianity is still viable enough to underwrite the naughtiness which is essential to pornography (e.g., the pornography of the East is desultory and perfunctory).
The perfect pornographer = a man who lives both in anteroom of science (not in research laboratory) and who also lives in twilight of Christianity, e.g., a technician. The perfect pornographer = lapsed Christian Southerner (who as such retains the memory not merely of Christianity but of a region immersed in place and time) who presently lives in Berkeley or Ann Arbor, which are not true places but sites of abstract activity which could take place anywhere else, a map coordinate; who is perhaps employed as psychological tester or opinion sampler or computer programmer or other para-scientific pursuit. Midwestern housewives, look out! Hand-under-dress of a total stranger is in the service both of the theoretical “real” and the physical “real.”
I do not deny, Val, that a revival of your sacramental system is a kind of sacrament (devilish, if you like). The difference is that my sacrament is operational and yours is not.
The so-called sexual revolution is not, as advertised, a liberation of sexual behavior but rather its reversal. In former days, even under Victoria, sexual intercourse was the natural end and culmination of heterosexual relations. Now one begins with genital overtures instead of a handshake, then waits to see what will turn up (e.g., we might become friends later). Like dogs greeting each other nose to tail and tail to nose.
But I am not a pornographer, Val, like the optician, now a corpse, i.e., an ostensible liver of a “decent” life, a family man, who fancies conventions with smokers and call girls. I accept the current genital condition of all human relations and try to go beyond it. I may sniff like a dog but then I try to be human rather than masquerade as human and sniff like a dog. I am a sincere, humble, and even moral pornographer. I cultivate pornography in order to set it at naught.
Women, of course, are the natural pornographers today, because they are not only dispossessed by science of the complexus of human relations (all but the orgasm) but are also kept idle in their suburban houses with nothing to do but read pseudo-science articles in the Reader’s Digest and dirty novels (one being the natural preamble of the other). U.S. culture is the strangest in history, a society of decent generous sex-ridden men and women who leave each other to their lusts, the men off to the city and conventions, abandoning their wives to the suburbs, which are the very home and habitation of lewd dreams. A dirty deal for women, if you ask me.
Don’t be too hard on Rita. She is peeved, not perverted. (The major discovery of my practice: that there are probably no such entities as “schizophrenia” and “homosexuality,” conceived as Platonic categories, but only peevishness, revenge, spitefulness, dishonesty, fear, loneliness, lust, and despair—which is not to say we don’t need psychiatrists. You people don’t seem to be doing too well, you know.)
The only difference between me and you is that you think that purity and life can only come from eating the body and drinking the blood of Christ. I don’t know where it comes from.
New book from a strong Austrian perspective.
Forthcoming in Cognitive Systems Research
Looking Beyond the Brain: Social Neuroscience meets Narrative Practice
Daniel D. Hutto and Michael D. Kirchhoff
Beyond sensorimotor segregation: On mirror neurons and social affordance space tracking
Maria Brincker
Reuse and body-formatted representations in simulation theory
Shaun Gallagher
Would a Neuroscience of Violence Aid in Understanding Legal Culpability?
Valerie Gray Hardcastle
Will Retributivism Die and Will Neuroscience Kill It?
Iskra Fileva and Jonathan Tresan
Evan’s latest reviewed in the Notre Dame Philosophical Reviews
Inspired by the track listing for the film (and beyond) of Northern Soul classics, I thought I’d see whatever happened to these wonderful artists, for the most part those that aren’t or never were well-known. The links below are the best I could come up with. Many artists are of course no longer with us, some had unpleasant and premature demises — as discussion here can attest to. Whatever the case, the US and the rest of the world are indebted to the Northern Soul scene for giving new life to forgotten acts and preserving the music of acts that have long since passed into obscurity. Be in no doubt the passion people have for this music — here and here. It was all about sidestepping the gatekeepers — the charts, the A+R men, the music press etc., a bona fide spontaneous order if you like. The film is apparently opening in the US this October — if you love good music that is catchy and uplifting without being teen saccharine albeit it Motown style, a grassroots beauty set against a grim urban world a la Curtis Mayfield — then is the film for you.
Back Street – Edwin Starr
Soul Time – Shirley Ellis
I Gotta Find Me Somebody – The Velvets
If This Is Love – The Precisions
Seven Day Lover – James Fountain
You Don’t Mean It – Towanda Barnes
The Night – Frankie Valli
I’m Com’un Home In The Morn’un – Lou Pride
(Just Say) You’re Wanted And Needed – Gwen Owens
They’ll Never Know Why – Freddy Chavez
Tear Stained Face – Don Varner
Crying Over You – Duke Browner
Exus Trek – Luther Ingram
Too Late – Larry Williams & Johnny Watson
Your Autumn Of Tomorrow – The Crow
I’m Gone – Eddie Parker
I Really Love You – The Tomangoes
This Love Starved Heart Of Mine (It’s Killing Me) – Marvin Gaye
Stick By Me Baby – The Salvadores
Time – Edwin Starr
Come On Train – Don Thomas
Lonely For You Baby – Sam Dees
Gone With The Wind Is My Love – Rita & The Tiaras
Suspicion – The Originals
Turning My Heartbeat Up – The MVP’s
Time Will Pass You By – Tobi Legend
Disk 2
She’ll Come Running Back – Mel Britt
Little Love Affair – Patrinell Staten
You Don’t Love Me – Epitome Of Sound
I Just Can’t Live My Life (Without You Babe) – Linda Jones
What Good Am I Without You – Darrow Fletcher
I Surrender – Eddie Holman
I Don’t Like To Lose – The Group feat Cecil Washington
In Love – Tony Galla
I Was Born To Love You – Herbert Hunter
I Really Love You – Jimmy Burns
Blowing My Mind To Pieces – Bob Relf
Please Stay – The Ivories
The Chase Is On – Johnny Howard
You Left Me – The Admirations
Ain’t Gonna Run No More – The Royal Esquires
Love Slave – The Antellects
As Long As You Love Me (I’ll Stay) – Ronnie & Robyn
My Lonely Feeling – Milton James
Can You Win – Charlene & The Soul Serenaders
This Won’t Change – Lester Tipton
Love Factory – Eloise Laws
Under Your Powerful Love – Joe Tex
It Really Hurts Me Girl – The Carstairs
Hung Up On Your Love – The Montclairs
Baby Don’t You Weep – Edward Hamilton & The Arabians
The Magic Touch – Melba Moore
If You Ever Walked Out Of My Life – Dena Barnes
Recent working paper — Hayek even cited with some Austrians along with Edelman and Maturana and Varela.