Walker Percy Wednesday 63

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Forty-five. It is strange how little one changes. The psychologists are all wrong about puberty. Puberty changes nothing. This morning I woke with exactly the same cosmic sexual-religious longing I woke with when I was ten years old. Nothing changes but accidentals: your toes rotate, showing more skin. Every molecule in your body has been replaced but you are exactly the same.

The scientists are wrong: man is not his own juices but a vortex, a traveling suck in his juices.

Ellen pats some Hell-for-Leather on me.

“How do you like it, Chief?”

“Very much,” I say, eyes watering with cloves.

Ellen, though she is a strict churchgoer and a moral girl, does not believe in God. Rather does she believe in the Golden Rule and in doing right. On the whole she is embarrassed by the God business. But she does right. She doesn’t need God. What does God have to do with being honest, hard-working, chaste, upright, unselfish, etcetera. I on the other hand believe in God, the Jews, Christ, the whole business. Yet I don’t do right. I am a Renaissance pope, an immoral believer. Between the two of us we might have saved Christianity. Instead we lost it.

. . .

I recall my uncle’s advice: guard against the sadness of hubris. How to do that? By going to the Little Napoleon and having a drink with Leroy Ledbetter.

. . .

“For the first time the behavioral sciences have a tool for dealing with the heretofore immeasurable and intangible stresses that are rending the national fabric.”
“Yes.”
“Dr. More.” Again Art stands up, not to shake hands again I hope, no, but again there is the heavy mollified protein smell.
“Yes?”
“We’re prepared to fund an interdisciplinary task force and implement a crash program that will put a MOQUOL in the hands of every physician and social scientist in the U.S. within one year’s time.”
“You are?” Why don’t I feel excited? My eyes don’t blink.
“As you know better than I, your MOQUOL has a multilevel capacity. It is operative at behavioral, political, and philosophical levels. I would even go so far as to say this, Doc—” Art pauses to hawk phlegm and adjust his crotch with an expert complicated pat.

 

 

Scott Billington: producer par excellence

How do you know when a song is finished?

This is the key question for a producer — the answer lies with the idea that may best be described as an “intimation,” something that only comes with a deep understanding of a given tradition. Listen to this chat with Scott Billington arguably one of the best recording producers ever — and on a tight budget. Who else could have coped with Booker and Gatemouth? It’s really fascinating hearing his insights into Charlie Rich and Zydeco music. Moreover, his understanding of the role of music as a human activity is nothing less than philosophical. Check out the playlist and get ordering from the Louisiana Music Factory. We are indebted to people such as Alan Lomax and Scott Billington.

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Surfing Uncertainty: Prediction, Action, and the Embodied Mind

Andy Clark guest-blogging in support of his new book. Stay tuned for Evan Thompson’s review in The Journal of Mind and Behavior.

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Isle of Jura Superstition

As ever, a most thoughtful assessment from Jason Debly. As an Islay “peathead” myself, I don’t think that this would disappoint others. Jason, I notice, has also weighed in on the recent Crown Royal kerfuffle which I mentioned here.iojob.non

Chef’s Table

Having viewed each episode of Chef’s Table (season 1) I’m of the view that the collective minds of these six chefs comprise an infinitely more authentic philosophical disposition than is to be found in most current philosophy departments. Here we have chefs that are the philosophers of practice par excellence, they are passionate, they are well and truly situated, and they are creative — forged through the existential struggle between tradition and novelty. Emily Buder and Neil Genzlinger pretty much nail it. If you are looking for the Jamie Olivers, Anthony Bordains and Gordon Ramsays (as appealing as their personas may be), then this programme is not for you. The chefs featured in Chef’s Table are the Quines of the food world and are not the prevailing squawking (admittedly clever) entitled phonies of the academy.

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What makes a Catholic writer in today’s society?

When ideological noise drowns out the writer’s inner voice, few writers do their best work, no matter what their beliefs

This from the Superior Catholic Herald

Flannery O’Connor, 1950s
Flannery O’Connor, 1950s

Getting to Hogwarts: Michael Oakeshott, Ivan Illich, and J.K. Rowling on ‘School’

Oakeshott’s words were prescient and remains salient as ever

The world in which many children now grow up is crowded, not necessarily with occupants and not at all with memorable experiences, but with happenings; it is a ceaseless flow of seductive trivialities which invoke neither reflection nor choice but instant participation. A child quickly becomes aware that he cannot too soon plunge into this flow or immerse himself in it too quickly; to pause is to be swept with the chilling fear of never having lived at all. There is little chance that his perceptions, his emotions, his admirations and his ready indignations might become learned responses or be even innocent fancies of his own; they come to him prefabricated, generalized and uniform. He lurches from one modish conformity to the next, or from one fashionable guru to his successor, seeking to lose himself in a solidarity composed of exact replicas of himself.

From an early age children now believe themselves to be well-informed about the world, but they know it only at second hand in the pictures and voices that surround them. It holds no puzzles or mysteries for them; it invites neither careful attention nor understanding. As like as not they know the moon as something to be shot at or occupied before ever they have had the chance to marvel at it. This world has but one language, soon learned: the language of appetite. The idiom may be that of the exploitation of resources of the earth, or it may be that of seeking something for nothing; but this is a distinction without a difference. It is a language composed of meaningless clichés. It allows only the expression of “points of view” and the ceaseless repetition of slogans which are embraced as prophetic utterances.

Their ears are filled with the babel of invitations to instant and unspecified reactions and their utterance reproduces only what they have heard said. Such discourse as there is resembles the barking of a dog at the echo of its own yelp. School in these circumstances is notably unimportant. To a large extent it has surrendered its character as a place apart where utterances of another sort may be heard and languages other than the language of appetite may be learned. Its affords no seclusion, it offers no release. Its furnishings are the toys with which those who come are already familiar. Its virtues and vices are those of the surrounding world.

These, then, are circumstances hostile to a disposition to recognize the invitation of liberal learning: that is, the invitation to disentangle oneself, for a time, from the urgencies of the here and now and to listen to the conversation in which human beings forever seek to understand themselves. How shall a university respond to the current aversion from seclusion, to the now common belief that there are other and better ways of becoming human than by learning to do so, and to the impulsive longing to be given a doctrine or to be socialized according to a formula rather than to be initiated into a conversation? Not, I think, by seeking excuses for what sometimes seem unavoidable surrenders, nor in any grand gesture of defiance, but in a quiet refusal to compromise which comes only in self-understanding. We must remember who we are: inhabitants of a place of liberal learning.

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The first rock n’ roll single?

It is often claimed that the Bartholomew/Domino song “The Fat Man” was the first or one of the first rock ‘n roll records. Whatever, it was recorded on this date 66 years ago at the legendary J&M Studio. What I didn’t know is that it’s a variation on “Junker’s Blues” which in turn apparently morphed into “Junco Partner”.