Zombie Blues by NYC Consciousness Collective

Philosophers as you don’t normally see them (they are not going to give up the day job). The in-joke revolves around the zombie thought experiment.

On a more formal note, here is Dave Chalmers on a recent radio show.

The Man Without Qualities

Leonard Lopate discusses with Burton Pike, editor and translator of Robert Musil’s titanic though unfinished novel, the philosophical and aesthetic ideas circulating in pre-war Viennese society as depicted in The Man Without Qualities. Download the audio file here:

Underappreciated: Robert Musil’s The Man Without Qualities (19 mins)

Cognition and the Symbolic Processes: Hayek and Gibson

Here are some fuzzy but nevertheless recognizable Polaroid photos taken at the now legendary conference convened by Walter Weimer. Weimer was so crucial to bringing Hayek’s The Sensory Order back to life after it had “fallen still-born from the press”. In attendance was also J.J. Gibson who, though was favorably disposed towards TSO in the early 50s, pretty much snubbed Hayek at this conference (put down to his [Gibson’s] politics). Thanks to Bill Mace for this info and the conference link. Thanks to John Johnson for documenting and posting these snapshots.

Walt, by the way, was interviewed by Bernard Baars some 25 years ago in The Cognitive Revolution in Psychology but, so far as I can see, with no mention of TSO. I have been in touch with a few of Weimer’s students – in many ways his legacy is assured through their interests and respect for the man. Walt must have had the most amazing foresight to back a outsider such as Hayek.

Jonathan Gottschall’s The Rape of Troy

I had the good fortune to meet Jonathan Gottschall at a recent conference. This guy is young, brilliant and so self-effacing – but I’m hardly the only one to recognize this – see the write-up in The New York Times.

His talent for deploying an another discipline in the service of another reminds me a bit of that great Marxist scholar GEM de St. Croix who put Jerry Cohen’s immensely difficult Karl Marx’s Theory of History: A Defence to work in the service of his analysis. Gottschall is not using a Marxist lens but an evolutionary psychology lens – and he does so with such aplomb. I’m in awe of this chap’s talent.

Extended Mind: Special Section in TEOREMA

Here is a bunch of extended mind papers in the Spring issue of Teorema.

The Morality of Freedom 25 Years On

Seeing an announcement for an upcoming conference commemorating the 25th anniversary of Joe Raz‘ The Morality of Freedom nudged me to post recordings of a similar conference held to commemorate the book’s 20th anniversary with no less than Raz himself in attendance.

Part 1: 

Part 2: 

Part 3: 

Beer and Philosophy or Drinking and Thinking

Here’s an article from the Huffington Post. Of course, we all know that booze and the philosopher are close friends. Regarding the relationship between the two, there are two schools of thought. 1. that the qualic experience (and alcohol) are part and parcel of creative thought processes. 2. Alcohol is needed to numb the philosopher’s propensity for thinking too much.

There are two books that spring to mind looking at the philosophy of wine and the philosophy of beer. One is Roger Scruton’s I Drink Therefore I Am and Steven Hales’ (ed.) Beer and Philosophy: The Unexamined Beer Isn’t Worth Drinking. And most famously of all is Eric Idle’s Bruce’s Philosophy Song:

Web Stigmergy

Stigmergy yet again – well, there is no escaping it. While I wouldn’t call stigmergy a new paradigm (that’s too pompous – in any event, paradigms only have shape in a historical sense), stigmergy is one of the most fruitful mechanisms around that speaks to distributed cognition.

Check out this paper nicely titled “Standing on the shoulders of ants: stigmergy in the Web” by a student who is working on the stigmergic properties of the Web. A nice overture to further more technical work highlighting some important issues that need to be addressed.  Two points are in order.

(1) I disagree that “we don‟t yet have a clear definition of stigmergy” – I don’t think that one can prescribe necessary and sufficient conditions but we sure can specify typical features.

(2) And “combining bio-inspired designs and algorithms based on stigmergy with social network analysis might facilitate the creation of a more sophisticated web application.” This is already here, the preeminent example being Amazon’s recommendation algorithm.

Recommendation algorithms generally come in two varieties – collaborative filtering (CF) and cluster models (CM). CF attempts to mimic the process of ‘‘word-of-mouth’’ by which people recommend products or services to one another. CF runs on the notion that people who agreed in the past will agree in the future. CF aggregates ratings of items to recognize similarities between users, and generates a new recommendation of an item by weighting the ratings of similar users for the same item. But this technique is computationally expensive because ‘‘the average customer vector is extremely sparse’’ (Linden, Smith, & York, 2003, p. 77). By contrast CM divides the agent base into segments, treating the task as a classificatory problem. An agent is assigned a category comprised of similar agent profiles. Only then are recommendations generated. CM is computationally efficient since it only searches segments, rather than the complete database. Amazon.com’s recommendation algorithm is a derivative form of CF and CM. Consider an example. A search on Amazon for ‘‘stigmergy’’ returns 176 items, the default sort being by relevance (as opposed to price, reviews, publication date). Also given some prominence is a category ‘‘Customers who bought items in your Recent History also bought x, y, z . . ..’’ supplemented by Listmania, lists of salient material compiled by agents (all-comers as in Wikipedia) who ostensibly have some intimacy with the topic. There are also so-called ‘‘reviews’’ of a given title. All this over and above a record of my recent purchases which included stigmergy related material, assuming one hasn’t expunged Amazon’s cookies from one’s browser. Even on offer is the opportunity, for many titles, to peruse the contents page, read an excerpt and even be enticed by the dustjacket hyperbole. Furthermore, one can be alerted by email when a new title or new edition of a book matching one’s previous trails of interest, will become available: a preorder entitling the buyer to a discount. This all adds up to a highly bespoke experience that is better tailored than being in a bookstore, because it is unlikely the bookstore even stocks a title you have yet to discover as one scans the shelves – there is no ‘‘pheromone’’ trail. The Amazon algorithm rather than matching user-to-user finds items that customers tend to purchase together. It is computationally efficient (and easily scalable) because much of the computation has already been done off-line. The stigmergic interest of Amazon’s algorithm is patently clear: an item-to-item search generates a trail that gives rise to novel patterns of behavior. CF’s great virtue is that suppliers can be finely attuned to consumer behavior. The downside is that there runs the risk of ‘‘a kind of dysfunctional communal narrowing of attention’’ that can be self-fulfilling (Clark, 2003, p. 158; Gureckis & Goldstone, 2006, p. 296). Excerpt from Stigmergic epistemology, stigmergic cognition.

Stigmergy Installation

Check out this installation supported by the Welcome Trust.

People walking along Euston Road will encounter an unusually arresting reflection of themselves in a new light installation, ‘Reflex’, created by rAndom International.

The work inhabits the windows of the Wellcome Trust as though it were a living organism. Reacting to viewers, passers-by and traffic on Euston Road, ‘Reflex’ produces mesmerising flows of light, inviting a physical response to the building.

The installation’s swarming behaviour is based on an algorithm developed to emulate the collective decision making that we see in large groups of creatures such as birds or ants.

The work is constructed from hundreds of brass rods and thousands of LEDs arranged on small custom chips. Their movement is based on programmes that aim to simulate complex natural phenomena. ‘Reflex’ recreates “stigmergy”, whereby traces left by random actions stimulate further actions that build on one another, leading to the spontaneous emergence of apparently patterned activity. rAndom’s work allows for error, experimentation and unpredictability, and ‘Reflex’ encourages its viewers to see how they can influence the work.