Another big loss reported (H/T Troy Camplin)

Another big loss reported (H/T Troy Camplin)

This in The Root

Newly published EM paper

This article caused quite a stir recently. David Driscoll issues an interesting response. And the word from Canada . . .

Here is an interview I came across with Yourcenar. As one would expect she takes no prisoners and clearly would rub up activists the wrong way — hence they systematically avoid her, assuming they’d even read top-notch stuff like “Hadrian”. I guess she would be unknown to “creative writing” courses constituted as they seem to be by nth rate ideological tripe. I can imagine that Camille Paglia would certainly appreciate Yourcenar. Here too is an article in The New Yorker. And by the way, Yourcenar loved gospel and blues music.
It does not interest me. I have a horror of such movements, because I think that an intelligent woman is worth an intelligent man—if you can find any—and that a stupid woman is every bit as boring as her male counterpart. Human wickedness is almost equally distributed between the two sexes.
The sacred is the very essence of life. To be aware of the sacred even as I am holding this glass is therefore essential.
I am myself neither rightist nor leftist.
Only in N.O. — click above image for 15 minute video footage of second line in spite what Keith reports AT wanted below. In any event, a second line was what made me fall in love with N.O.
As I anticipated, the very excellent Keith Spera on Allen Toussaint’s send off with a whose who in attendance :
Though very much a public figure who reveled in his countless interactions with strangers, Toussaint was also extremely private. Over the years, he had discussed plans for his funeral with his son. Reggie Toussaint said Friday that his father did not want a spectacle, or even a second-line parade.
To that end, his casket was closed. Saturday’s burial will be private, and Friday’s program, like its honoree, was elegant, restrained and finely tuned.
OffBeat Magazine’s coverage. Looking forward though to Keith Spera’s report.


I’m typically very sceptical about a great piece of art being adapted for another modality and though the reviewers don’t fully grasp CoD, I think this shows. Burma cynical? Only the shallowest of readings of the book would suggest that but if he comes over as such in the play, then we have a disjuncture. The New York Times review is the most insightful, most regurgitate the same old memes. (H/T to fellow CoD nut Robert Bugg for several of these links)
