The Religious Sensibility of Michael Oakeshott

Snippets from Elizabeth Corey’s essay:

Perhaps what is most notable about the Tower of Babel myth, in both of Oakeshott’s essays, is the perfectionism inherent in the story. Whether one wants to contribute to a great and noble cause or to change the world through human action, pride and overestimation lie at the center of this myth. The idea that humankind can eliminate poverty, that women and men can achieve absolute equality (whatever that might mean), that any such “perfect” outcomes could occur in the world is a misunderstanding of the character of human experience. Like Augustine, Oakeshott was inclined to see such perfectionism as the epitome of worldliness—dangerous enough in an individual but impossible to sustain in political life. At every moment an orientation of this kind “calls upon those who practise it to determine their behaviour by reference to a vision of perfection. . . . We are never suffered to escape from perfection. Constantly, indeed on all occasions, the society is called upon to seek virtue as the crow flies” (RP, 475). The desire for excellence and achievement had to be balanced, Oakeshott thought, with the imperfections of real human beings. Nevertheless, as wrongheaded as this kind of Pelagian striving might be, there is a still worse alternative, which Oakeshott designated as the pursuit of “barbaric affluence” (VLL, 99). The residents of Oakeshott’s Babel are consumed with acquisition rather than moral or intellectual perfection, “ready to drop the bone [they] have for its reflection magnified in the mirror of the future” (RP, 414). In this critique of acquisitiveness Oakeshott followed Augustine quite explicitly, since both thought that it was the most fruitless way to live a life. Such “barbarism” promises only various versions of midlife crises.

This is indeed an unusual approach to religion. There is no theology, no church, and no mention of belief. And so we cannot say it is particularly Christian. But in one sense it is perhaps not incompatible with Christianity. Viewed in a certain way, Christian faith means precisely the putting aside of one’s anxieties for the future and engaging, with mindfulness, in the living of one’s life. Something like this would seem to be the primary challenge of practical experience. In this sense, Oakeshott’s idea of sublimating concerns about the future seems compatible with Christianity. Yet it is not clear that his view is coherent in the absence of religious faith or, more particularly, of a certain kind of hope. Oakeshott once designated mortality as “the central fact of life,” and as such it makes it extraordinarily difficult to live in the present. The prudent person must always prepare for the future by investing, planning, and protecting what is already owned. But Christian faith, by contrast, promises more than merely worldly rewards, and in this respect it might assist in the attempt to relieve our anxieties. It might, indeed, be essential to living in the present, although Oakeshott himself did not say this.

Throughout this essay I have argued that Oakeshott diagnosed the central problems of modernity as originating in a fundamentally religious mistake. Having lost the original experience of Christian faith, those who would be religious tend either toward moral ideologies and perfectionism or toward a kind of hyperintellectualism. They are less inclined to accept the limitations of the human condition, enjoying the ordinary and looking for the poetic, than to seek some kind of permanent release from contingency. This diagnosis may begin to sound quite familiar to readers of Oakeshott’s more explicitly political essays, such as “Rationalism in Politics,” where he made a similar criticism of modern politics.

Kathy Wilkes remembered

Kathy Wilkes: a plaque for an honorary citizen of Dubrovnik. Some five and a half years ago I first mentioned Kathy.

Just One Bishop at High Church of Jazz Purity

I’m with Wynton. As he says: “If you don’t have a cultural base, you don’t know who you are.” If you listen to Wynton talking over the past decade or so, there is no way he could be deemed a jazz “fundamentalist” – it would be an anathema to his understanding of jazz as a dynamic art form. I think it’s a case of sour grapes that the philosophical and articulate WM secured and developed the best gig around and garners so much press even if he is not my favourite musician:

Mr. Marsalis said that in making programming decisions he would continue to stand by his principles: his core belief that jazz, to be jazz, must be based on swing rhythms with elements of the blues, firmly rooted in black musical traditions.

Bertrand Russell discussion on Radio 4

Melvyn Bragg and his guests discuss the work of philosopher Bertrand Russell.

Brain Scans Don’t Catch The Brain In Action

Alva Noë in Cosmos And Culture

Not so fast. A functional brain image such as those produced by PET and fMRI no more captures the brain in action than a graph illustrating the percentage of the population who go to church on Sunday captures the people in the act of worship. Brain scan images are graphical renderings of what we hypothesize is going on in the head. There’s nothing wrong with such images. In fact, they are valuable tools for carrying on scientific study. But they are not pictures of our brains in action, and so they are positively not images of our minds at work.

New Translation of Lichtenberg

Here is a new translation of Lichtenberg’s work. As some will know I’m a great admirer of Lichtenberg and his equally endearing contemporary Adam Smith. I had the great privilege of meeting Reg Hollingdale who was a translator of Lichtenberg. If you are looking for a great commuting read, something that is accessible (i.e. aphoristic), provocative and amusing, few come better than Lichtenberg.

Despite having lived over two hundred years ago (July 1, 1742 – February 24, 1799) Georg Christoph Lichtenberg even from our current perspective, is temperamentally speaking, a thoroughly modern man. Were he alive today Lichtenberg might well have filled the role of public intellectual (or free-thinker) in his threefold capacity of scientist, atheist, and satirist. Whether or not Lichtenberg could be considered a philosopher in a conventional sense, i.e. professionally, he was certainly philosophical. Lichtenberg was well-known to some of the greatest minds of the Western world. He personally knew Kant and Goethe, Nietzsche, admired him, as did Wittgenstein who introduced Russell to Lichtenberg’s writing, Despite his Anglophilia and the high-esteem in which he has been held, Lichtenberg is still relatively unknown in the English speaking world: while much of his writings have been translated into English, there exists only one book-length treatment. The secondary literature is, for the most part, in German.

Marquee Moon/Torn Curtain

I remember
How the darkness doubled
I recall
Lightning struck itself.
I was listening
Listening to the rain
I was hearing
Hearing something else.

Life in the hive puckered up my night,
The kiss of death, the embrace of life.
There I stand neath the Marquee Moon Just waiting,
Hesitating…
I ain’t waiting

I spoke to a man
Down at the tracks.
I asked him
How he don’t go mad.
He said “Look here junior, don’t you be so happy.
And for Heaven’s sake, don’t you be so sad.”

Well a Cadillac
It pulled out of the graveyard.
Pulled up to me
All they said get in.
Then the Cadillac
It puttered back into the graveyard.
And me,
I got out again.

 

 

Torn Curtain reveals another play.
Torn Curtain, Such an expose!
I’m uncertain when beauty meets abuse.
Torn Curtain loves all ridicule.
Tears… tears rolling back the years
Years… Flowing by like tears.
Tears holding back the years.
Years. The tears I never shed.
The years I’ve seen before
Torn Curtain giving me the glance.
Torn Curtain bringing on the trance.
I’m not hurting: Holding to the thread.
Torn Curtain lifts me on the tread.
Torn Curtain feels more like a rake.
Torn Curtain – how much does it Take?
Burn it down
Tears, tears. Years, years.

The Mind of a Chef

This series could be promising since Bourdain is behind it. My concern however is that Bourdain’s louche street-wise production values will dominate, setting the tone that might not be best for others like Chang. I think Chan is really is a culinary genius rather than being a competent and knowledgeable cook who travels around. I ate at his  Momofuku Noodle Bar and it must rate as one of the most wonderful Asian meals I’ve had washed down by the most beautiful sake I’ve ever had.

Here is the PBS trailer: