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Little Richard

Born on this day — a most radical and brave pioneer. Little Richard told Blackwell he preferred the sound of Fats Domino. As a result, Little Richard began recording at Cosimo Matassa’s J&M Studios in New Orleans that September, recording there with several of Domino’s session musicians, including drummer Earl Palmer and saxophonist Lee Allen.[39]…

Blue & Lonesome

The latest Stones album has dropped. The reviews seem to be universally glowing and for a change devoid of the tired journalistic cliches that typically accompany a Stones release, not too mention the accompanying label hype that “this is the best thing they have done since . . .  Tattoo You/Some Girls/Exile on Main Street” — you…

The economics of political correctness

Here’s a very sharp and interesting take on what I’ve been calling virtue-signaling. The article is a couple of years old but nonetheless it is as incisiveness and salient as ever especially to one who has a basic grasp of market price signals and coordination dynamics. Isn’t it telling that despite academia being firmly under the regressive left’s management…

Heaven Must Be Missing an Angel

Philosophical filmmakers are few and far between, understandably so, but even more depressing is that professional philosophy is perversely plagued by the unphilosophical — i.e. the virtue-signalers and thought and language police. Anyway, one of the few philosophically orientated filmmakers is Wim Wenders and one of my favourite films of all is his Wings of Desire/Der Himmel über Berlin. As…

Bourbon vs Scotch

Having just cracked open a long anticipated bottle of Yellowstone I have bourbon on my mind — and this coincides with Julia Reed’s discussion taking wing from Walker Percy’s famous essay. Sociological musings aside, I’m of the view that the pitching of Bourbon vs Scotch is a false dichotomy: there is no legitimate comparison. If I had…

Mr. Okra

Speaking of New Orleans characters here is a lovely 60 second outline of the joy this man brings to New Orleans (H/T OffBeat). mr. okranew orleansokra

Booker’s Mysterious Knoxville Concert

Jack Neely reports in The Scruffy Citizen. (Thoroughly appreciate Cheryl Anne Grace‘s artistic rendition of Booker and my other favourite characters Ernie K-Doe, Fats, Allen Toussaint and Mr. Okra). Bayou Maharajah: The Tragic Genius of James BookerCheryl Anne GraceJames Bookermusicnew orleans