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Popol Vuh

Still on music, a pretty damn good price ($33) for 5 disks, a package with very good production values. Apparently it’s out of stock and will hopefully become available again soon and at a similarly good price. If you appreciate the work of Eno and Bowie, you’ll get Popul Voh, arguably the grandees of so-called “Krautrock”.…

The Radical Individualism of David Bowie

And my brother’s back at home with his Beatles and his Stones We never got it off on that revolution stuff What a drag, too many snags Now I’ve drunk a lot of wine and I’m feeling fine Got to race some cat to bed Oh is that concrete all around Or is it in…

Tony Visconti

Tony Visconti really was the natural heir to George Martin. Check out Tony’s thoughts on the state of the music industry — there is no-one as distinguished and so able to offer the ultimate insider’s diagnosis on the malaise of creativity that we know has well and truly flattened the creative landscape over the past 20…

“Second Line” for Bowie

As ugly as a teenage millionaire pretending it’s a whizz kid world You’ll take me aside, and say “Well, David, what shall I do? They wait for me in the hallway” I’ll say “don’t ask me, I don’t know any hallways” But they move in numbers and they’ve got me in a corner I feel…

Northern Soul

Not really knowing what to expect except that I was hopeful that since this film had Steve Coogan and his production company behind it, it would be half decent. (Having recently sat through the absolutely irritatingly cliched shite that is Woman in Gold) it came as a relief that despite the unflinching grittiness (think extreme…

The Philosophical Bowie

Here is Simon Critchley talking at Cornell. Love Critchley’s scathing take on Bono at about 50 mins in. What Bowie describes is a Büchnerian world of terror. The first line, “Silhouettes and shadows watch the revolution,” describes the languor and disappointment of a post-revolutionary situation. In an allusion to Eddie Cochran’s posthumously released 1960 hit, there…

Low

Thirty-seven years on this record has lost none of its bleak power, a truly adult record in a sea of rock banality: As a recovering cocaine addict, Bowie’s songwriting on Low tended to deal with difficult issues: “There’s oodles of pain in the Low album. That was my first attempt to kick cocaine, so that…

Diamond Dogs @ 40

One of the more thoughtful assessments of an album that met with almost universal derision in 1974 both in terms of the presentation (pipping the Stones’ Guy Peellaert cover for “It’s Only Rock ‘n Roll” to the post) and the “raw” sound. Though I concede it’s not one of Bowie’s best, Diamond Dogs retains a…