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The Future Isn’t What it Used to Be

The marketing catchphrase used by RCA forty years ago, “Often Copied, Never Equalled” has much truth to it. Scary Monsters (and Super Creeps) marked the culmination and close of the most sustained attempt to inject high artistry and radical individualism into popular music, while still maintaining the dirtiest of 70s funk riffs. Robert Fripp’s guitar…

It’s NOT punk

Damn it man, you say as much — so why mention it? Anyway, at least the “reporter” rightly commemorates this timeless album. Television, along with the Talking Heads, are the only North American talents that could consistently approximate the “philosophical musicality” (for want of a better phrase) of what Bowie was up to at the time…