Hymns & Spirituals/Downtown Church
Two great complementary works: Tommy Sancton and Lars Edegran Patty Griffin Downtown ChurchgospelLars Edegranmusicnew orleansPatty GriffinRobert PlantTommy Sancton
Two great complementary works: Tommy Sancton and Lars Edegran Patty Griffin Downtown ChurchgospelLars Edegranmusicnew orleansPatty GriffinRobert PlantTommy Sancton
Confirmation of the Plant man’s Louisiana music credibility. As I’ve said all along, Plant is the only superstar from the 60s that never stood still. His music is deeper and richer than ever. More than anywhere, I know where I’d like to be on July 17th. Also check out Li’l Band O’Gold latest and the Fats…
The only superstar of the 60s and 70s who never rested on his laurels and continues to explore his musical roots with authenticity and integrity, from blues to rock n’ roll, to country to gospel. He understands where the source is – NOLA, the delta from which all styles emanated and flowed back again. The…
I’m surprised by the lack of press for this lovely record which I could only get as an import from OZ. Here are a couple of very warm reviews, again both from OZ: Beat Mag FasterLouder To put it mildly this is a group many people want to play and sing with. Besides the talent,…
Eight different but compelling versions of this gospel/spiritual song: Sister Fleeta Mitchell and Rev. Willie Mae Eberhard Frank Proffitt Tuba Skinny (at one of my favourite places in all the world, The Spotted Cat) Meschiya Lake (on the streets of NOLA) Rhythm Junkies Elsah Willie Nelson Robert Plant ElsahFrank ProffittgospelMeschiya LakeRhythm JunkiesRobert PlantSister Fleeta MitchellspiritualTuba…
Decent theatrical documents of rock concerts are few and far between. Only two come to mind: The Last Waltz and Stop Making Sense. Previous efforts such as The Song Remains the Same and Shine a Light while they have their moments, are in the case of the former, a bit tiresome, and in the case…
One has to hand it to Robert Plant for eventually finding his way through the dreadful ’80s and now re-establishing himself as an elder statesman without ever becoming a caricature of his former self, not trying to be perpetually hip (a la Bowie) and now no longer feeling he has to escape the burden of…