Saul Kripke (1940-2022)
The last of the 20th century’s bona fide greats. New York Times profile from 1977 metaphyicsmodalityNaming and Necessityphilosophical logicPhilosophySaul Kripke
The last of the 20th century’s bona fide greats. New York Times profile from 1977 metaphyicsmodalityNaming and Necessityphilosophical logicPhilosophySaul Kripke
Focusing his analysis on the lengthy “Voice of Poetry” essay, Abel provides a robust defense of Oakeshott’s nonrepresentational and nonpractical conception of art. Critics who suggest that Oakeshott goes too far in severing art from truth and morality fail to grasp that Oakeshott’s fundamental philosophical concern is to identify the differentia of aesthetic experience vis-à-vis…
An interesting and novel invocation (context-wise) of Oakeshott by Michael Fried in The Journal of Humanistic Mathematics experience and its modesignoratio elenchimathematicsMichael FriedMichael OakeshottmodalityPhilosophy of historyphilosophy of mathematics
It’s been brought to my attention that Experience and its Modes has been reissued with a preface by Paul Franco — see below. E+M is one of the most influential books across all genres to my thinking not to mention being one of the most entertaining. Dreadful new cover though . . . If you…
Aurelian Craiutu reviews Oakeshott’s Notebooks, 1922-86. I don’t share the view that: If Oakeshott were alive today, he would welcome the fact that “the politics of faith” against which he wrote memorable pages seem to have lost some of its appeal. I think that the centre has not held at all and is at its narrowest band…
To my mind, this is a rather awkward piece but nonetheless serves as a quick intro to Oakeshott on history. A really top-notch expositor on the philosophy of history expositor was the late Patrick Gardiner who I was privileged to meet — see below after Oakeshott. MICHAEL OAKESHOTT 1901–90 ‘Modality’, as Oakeshott explains on the…
Here is the intro to Elizabeth’s essay: Michael Oakeshott’s religious view of the world stands behind much of his political and philosophical writing. Yet it is difficult to get a firm grasp on what religion means to Oakeshott. His ideas about it constitute nothing that most people would recognize as religious. He rarely writes about God,…
This is the first of six contributions to a symposium published in Zygon, vol. 44, no. 1 (March 2009). Abstract. This paper introduces a symposium discussing Michael Oakeshott’s understanding of the relationship of religion, science and politics. Essays by Elizabeth Corey, Timothy Fuller, Byron Kaldis, and Corey Abel are followed by a review of Corey’s recent…
Excerpts from Corey Abel’s essay on aesthetics Commentators agree that “The Voice of Poetry” is important but disagree on whether Oakeshott wrote a theory of aesthetics. Most think “The Voice of Poetry” establishes poetry’s distinction from practice, as it does, forcefully. But in his remarks on childhood, friendship, and love, Oakeshott seems to rejoin poetry…