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Noel Malcolm on Hobbes

Noel Malcolm’s monumental 2,355 page edition of Leviathan is rightly attracting attention well beyond philosophical circles. And you can read Malcolm’s chapter on Oakeshott’s Hobbes in the forthcoming A Companion to Michael Oakeshott. But things are looking up for the Monster, thanks to the labours of Noel Malcolm, a polymath at All Souls College, Oxford, and a former journalist…

Episteme 9.3

New issue now available featuring symposium on Christian List and Phillip Pettit. HIGHER-ORDER EPISTEMIC ATTITUDES AND INTELLECTUAL HUMILITY Allan Hazlett RELIABILISM: HOLISTIC OR SIMPLE? Jeffrey Dunn GROUP AGENCY AND EPISTEMIC DEPENDENCY Aaron Dewitt CONSTRUCTIVIST AND ECOLOGICAL MODELING OF GROUP RATIONALITY Gerald Gaus EPISTEMOLOGY IN GROUP AGENCY: SIX OBJECTIONS IN SEARCH OF THE TRUTH Fabrizio Carrion…

Steve Jobs on life and death

Update – see the official Apple tribute to Jobs. Notable is Jobs’ valuing the liberal arts. This on the first anniversary of Job’s passing. Death, as I analogize it, is a truck with its headlights on, bearing down upon one standing in the middle of the road. So carpe diem! appledeathIPadIPhonelifeMacintoshpixarstanfordsteve jobs

The Religious Sensibility of Michael Oakeshott

Here is the opening to Elizabeth Corey’s essay for the Companion. I have often thought that one of the best introductions to the philosophy of Michael Oakeshott is a children’s book by Arnold Lobel. Grasshopper on the Road describes the journey of a remarkably even-tempered grasshopper who meets various other insects on his way down…

Louis Armstrong House

The Louis Armstrong House and Museum took a step toward further raising its profile by hiring its first curator in David L. Reese. JazzLouis Armstronglouis armstrong housemusic

Oakeshott on Aesthetic Experience

Here is a trailer of Corey Abel’s essay “Whatever It Turns Out To Be: Oakeshott on Aesthetic Experience,” the eighth essay in the run-up to the Companion’s official publication on October 19: Orbaneja, a fictional painter from a real town, is criticized by Don Quixote for painting so badly that he produces only “whatever emerges,” so…