Ziggy played guitar
44 years ago today, a musical earthquake occurred. See the Making of Ziggy here. David Bowiemusicziggy stardust
44 years ago today, a musical earthquake occurred. See the Making of Ziggy here. David Bowiemusicziggy stardust
It’s been just over 40 years since Station to Station was released, arguably Bowie’s (and by definition rock’s) finest album. I realize that it’s not immediately obvious that this work deserves this slot — it certainly didn’t at the time — but somehow we sensed something rather unusual was going on and for Bowie fans (and critics) who by…
As ugly as a teenage millionaire pretending it’s a whizz kid world You’ll take me aside, and say “Well, David, what shall I do? They wait for me in the hallway” I’ll say “don’t ask me, I don’t know any hallways” But they move in numbers and they’ve got me in a corner I feel…
With the usual hype beginning to emerge people seem to forget that Bowie had such a deep sense of musical discrimination, allowing his musicians to get on with it, one of the most notable cases being that of jazz musician Mike Garson (Bowie’s Piano Man) who brilliantly lifted what was, by Bowie’s standards, a rather middling effort (and…
Though not particularly obvious “Soul Love” is to my mind the deepest song (and he’s had more than most) by Bowie (then aged 25) and by extension one of the most evocative of rock songs. It plays a pivotal role in the running order of arguably one of the greatest rock albums made and, of course, part…
One of the more thoughtful assessments of an album that met with almost universal derision in 1974 both in terms of the presentation (pipping the Stones’ Guy Peellaert cover for “It’s Only Rock ‘n Roll” to the post) and the “raw” sound. Though I concede it’s not one of Bowie’s best, Diamond Dogs retains a…
From the last great Bowie album, Scary Monsters and Super Creeps. This song written by the equally creative Tom Verlaine. Well I walked in the pouring rain And I heard a voice that cries “It’s all in vain” The voice of doom was shining in my room I just need one day somewhere far away…
The Economist pretty much captures the bind that Bowie has faced over his career. The man who retains the longest stretch of creativity in rock music (1971-1980) blew it by trying to keep cutting edge. With his genuinely great crooning voice he could have out done Rod Stewart’s American Songbook by a mile, but instead…