The consciousness myth

Nice paper from Galen Strawson. Hayek’s The Sensory Order (1952) is missing though (salient extract below). See also Hayek in Mind: Hayek’s Philosophical Psychology.


Hayek’s discussion of the mind–body problem speaks directly to a topic that has dominated philosophy of mind for the past 35 years – qualia (quale for singular), a term of art that denotes this subjective ‘‘felt’’ quality to consciousness – the ‘‘unexplained residue’’ (Hayek, 1952/1976, 1.19, 8.85) that physicalism has failed to explain. Indeed, it has been said that, ‘‘[t]he problem of consciousness is identical with the problem of qualia” (Searle, 1998, p. 28). Qualia-talk went into overdrive in response to an argument presented by Frank Jackson (1982). Jackson’s argument, known as the ‘‘knowledge argument,’’ was conveyed through a thought experiment that I’ve entitled ‘‘Monochrome Mary.’’ ‘‘Monochrome Mary’’ poses the following question. What, if anything, would be experientially different for Mary on her release into a full color world given that she’d heretofore lived her whole life in a black and white world? Could she anticipate the experience even though she was in possession of a complete physical description of reality? Jackson concludes that Mary would still experience something new, in case of the thought experiment, the color red. One line of thought that challenges Jackson’s argument involves an equivocation of ‘‘know.’’ Is Mary’s new-found knowledge propositional or know-how/ability-type knowledge? For Hayek, qualia are know-how (Hayek, 1952/1976, 2.7). The Mary puzzle is intended to make for the view that qualia cannot be reduced to the level of physics and hence there cannot be a unified theory of consciousness. Dennett (1991) terms these thought experiments as an ‘‘intuition pumps,’’ a pejorative swipe at the a priorism he sees generated by them. Jackson, it should be noted, has since retracted his original conclusion; he is now of the view that the sensory side of psychology is, in principle, deducible from the world’s physical nature. Jackson’s thought experiment bears a striking resemblance to Hayek’s discussion in The Sensory Order, 1.95. Hayek took inspiration from C. D. Broad, the idea that an omnipotent being would still not be able to predict the qualia associated with a substance, for example, ammonia (Broad, 1925, p. 71). Here Hayek poses the question: how could one communicate the idea of vision generally and color in particular to the congenitally blind? In The Sensory Order, 1.97 and 1.98, Hayek cites physicist Kenneth Mees’ thought experiment as illustrating the distinction between the physical and the phenomenal orders. Mees asks us to consider the case of a congenially and totally deaf person confronted by someone playing a violin. Moreover, he asks us to suppose that this person knows nothing of sound even in a theoretical way. Confronted by the actions of the violin player, to the deaf person the actions will appear irrational. But, says Mees, if our deaf person was a scientist, he or she would eventually figure out that the movements of the violin bow generated vibrations that could be detected by equipment (the science of acoustics). Now whatever the issues Hayek has with Mees’ example, his conclusion is this: ‘‘the congenitally blind or deaf can never learn all that which the seeing or hearing person owes to the direct experience of the sensory qualities in question, because no description can exhaust all the distinctions which are experienced’’ (Hayek, 1952/1976, 1.102). The similarity of the conclusion shared by Hayek and Jackson is uncanny.

Sweet Dreams: Philosophical Obstacles to a Science of Consciousness

Old review.

Dennett wrote me that he thought it the best written review he’d gotten in yonks. It’s been reprinted along the my other Dennett review in Daniel Dennett, Edited by John Symons, Critical Assessments of Leading Philosophers.


Adam Smith on Sensory Perception: A Sympathetic Account

The intro to  Brian Glenney’s chapter:

The aim of this chapter is to propose an account of sensory perception from the known writings of Adam Smith, chiefly his juvenile work, “On the External Senses.” This account asserts that when we perceive an object we simulate its painful or pleasurable effects on our body—we imaginatively place ourselves in proximity to the object and feel some measure of the pain or pleasure we naturally associate or have learned to associate with its presence. When we smell food, our mouths water with the pleasure we anticipate will result from eating it (ES 80). When we hear a loud sound, we automatically shrink with fright in anticipation of the pain we imagine would be caused by such an object (ES 87). As Adam Smith writes, the senses “instinctively suggest to us some conception of the solid and resisting substances which excite their respective sensations” (ES 75).

In two previous papers I have expounded on some aspects of Smith’s account of perception. Glenney (2011) provides analysis of some of the sensory mechanisms involved in Smith’s account of perception. The spatial senses of vision and audition employ an innate mechanism of “suggestion” that attributes externality to the objects of sight and sound by way of instinctively simulating the associated feelings of tactile resistance that automatically suggest the externality of objects. Without associations of resistance, sight and sound are non-spatial and, as in Smith’s initial assessment of Cheselden’s once-blind patient, colors (and sounds) are felt in the eye (or ear) (ES 65). The remaining senses of smell, taste, and felt temperature, even when associated with feelings of resistance, remain proto-spatial at best, “some vague idea or preconception of the existence of that body; of the thing to which it directs, though not the precise shape and magnitude of that thing” (ES 79; See also ES 85). Hence, non-spatial senses never engage the “suggestion” mechanism for external attributions, but rather derive external “anticipations” from a mechanism that Smith calls “preconception.” Thus, two distinct inborn mechanisms guide two different external associations. But Smith provides little further detail regarding how these innate mechanisms actually work, alluding only to an “ascription by our imagination” (ES 54); later, in TMS, he writes of a “transporting by the imagination” (TMS III.iii.2) in his discussion of perception as analogy to moral judgment.

A second paper on ES extends the possibility that these innate mechanisms of external attribution and anticipation are the work of a mechanism of “sympathy,” paralleling Smith’s account of the moral assessments made of the behavior of others (Glenney, 2014). A perceiver first attributes a sight, sound, smell, taste or felt temperature to a particular object, projects him or herself into proximity with that object, and approximates the associated feelings that would be felt were the object made present, leading to an evaluative judgment as to the health or harm such proximity would generate for the body based on comparing a similarity or difference of their immediate feelings and approximated feelings. While the epistemic reliability of these perceptual judgments by sympathy is marked by concerns similar to those expressed by Smith regarding moral judgments in TMS, a kind of “impartial spectator” provides analogical support for their reliability. Hence, it is likely that perception and morality rely on a similar mechanism of sympathy for Smith. An account of perception, however, requires more than the structural and epistemic theories outlined in these two papers.

The focus of this paper covers perhaps the most important of Smith’s considerations on perception, his discussion of its qualia or the character of sensory experience. Qualia are usually characterized by very simple features: the qualia of a tomato are its appearance as red and round, its softness when squeezed, and its garden patch smell and tangy taste. These sensations help compose what it is like to experience a tomato with our different senses. Crucially, qualia distinguish a tomato sensory experience from a thought about a tomato, adding vivacious feelings to our tomato representations. Qualia reflect, in many ways, the unique nature of perception; to study qualia is to study what it is that makes perception distinctive. Today, the study of qualia is informed primarily by consideration of the representational content that determines the experiential character of qualia. For example, the red and round character of a tomato experience is determined by round and red tomato representations rather than, say round and red rubber ball representations. In this paper, consideration of representational content will provide an instructive model for studying Smith’s own discussion of sensory experience.

Smith’s own study of qualia in ES is focused on two kinds of sensory experience: the feeling of resistance in tactile experience and the feeling of “presence” or externality of objects in non-tactile experience:

  • Tactile Resistance: the feeling of an object’s pressure on one’s body, from which follows a “distinct sense and feeling of its Externality, or of its entire independency upon the organ which perceives it, or by which we perceive it” (ES 18).
  • Tactile Empathy: the feeling of seeing, hearing, or smelling an object with attention to the object’s tactile resistance and the pain or pleasure that it might engender, which “instinctively suggest to us some conception of the solid and resisting substances which excite their respective sensations” (ES 75).

While the qualia of both tactile resistance and tactile empathy represent objects as external, the former do so directly, the latter indirectly. Smith’s account of how visual, auditory, and olfactory qualia indirectly generate feelings of tactile qualia of resistance is a most important contribution to the study of perception, and becomes the particular focus here.

While this is a reconstruction of Smith’s discussion of perception by sympathy, it is one that Smith may have made more explicit had the focus of his philosophical inquiries turned to the topic of perception. Smith’s would-be proposal based on sympathy is, furthermore, unique to philosophical accounts of perception both historical and contemporary. Lastly, as documented in the previous work on ES discussed above, the cognitive sciences provide empirical support for such an account. Thus, though preliminary descriptions of ES judged it to be a mere “essai” that was “no more than competent,” closer inspection may reveal a startlingly innovative theory of some importance.

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